• About\
  • Screen/
  • Architectural photography/
  • Film/
  • Publications/
  • Sound/
  • Exhibition/
  • Writing/
  • Archive/
  • Shop!/
  • Gall Editions/

Peter Maybury

  • About\
  • Screen/
  • Architectural photography/
  • Film/
  • Publications/
  • Sound/
  • Exhibition/
  • Writing/
  • Archive/
  • Shop!/
  • Gall Editions/
View fullsize IMG_9199.JPG
View fullsize IMG_9206.JPG
View fullsize IMG_9204.JPG
View fullsize IMG_9203.JPG
View fullsize IMG_9090.JPG
View fullsize IMG_9094.JPG
View fullsize IMG_9099.JPG
View fullsize IMG_9101.JPG
View fullsize IMG_9103.JPG
View fullsize IMG_9106.JPG
View fullsize IMG_9108.JPG
View fullsize IMG_9110.JPG
View fullsize IMG_9113.JPG
View fullsize IMG_9114.JPG
View fullsize IMG_9118.JPG
View fullsize IMG_9120.JPG
View fullsize IMG_9124.JPG
View fullsize IMG_9126.JPG
View fullsize IMG_9127.JPG
View fullsize IMG_9129.JPG
View fullsize IMG_9131.JPG
View fullsize IMG_9133.JPG
View fullsize IMG_9134.JPG
View fullsize IMG_9135.JPG
View fullsize IMG_9138.JPG
View fullsize IMG_9139.JPG
View fullsize IMG_9140.JPG
View fullsize IMG_9141.JPG
View fullsize IMG_9142.JPG
View fullsize IMG_9143.JPG
View fullsize IMG_9144.JPG
View fullsize IMG_9145.JPG
View fullsize IMG_9146.JPG
View fullsize IMG_9147.JPG
View fullsize IMG_9148.JPG
View fullsize IMG_9153.JPG
View fullsize IMG_9154.JPG
View fullsize IMG_9157.JPG
View fullsize IMG_9158.JPG
View fullsize IMG_9160.JPG
View fullsize IMG_9162.JPG
View fullsize IMG_9163.JPG
View fullsize IMG_9164.JPG
View fullsize IMG_9167.JPG
View fullsize IMG_9169.JPG
View fullsize IMG_9172.JPG
View fullsize IMG_9173.JPG
View fullsize IMG_9176.JPG
View fullsize IMG_9177.JPG
View fullsize IMG_9179.JPG
View fullsize IMG_9180.JPG
View fullsize IMG_9182.JPG
View fullsize IMG_9184.JPG
View fullsize IMG_9189.JPG
View fullsize IMG_9192.JPG
“16 holes are drilled through the cover in an arrangement that emulates a drawing from the series 51 ways of looking. The holes cut through and partially obscure the underlying work* reproduced on the endpaper. This effacing also references SpiNN, a video work in which birds circle in increasing density, masking and eventually obliterating the painted image beneath.
Shahzia gave me the files for the mechanical silk-screen separations of The illustrated page, a work on paper that was centrepiece to her exhibition. We arranged a sequence of pages on translucent and metallic papers which overlay as abstracts of the artwork. Sequenced either side of this is a progression of enlarged details from the surface of the work.
A section printed on ultra-thin paper reproduces drawings in ink and pencil. The show-through (opacity) and strike-through (ink-penetration) properties of the paper cause the drawings to accumulate in consecutive layers. You can see through several leaves at once, and as a result, drawings of mother and sister printed recto-verso superimpose.”

p.57 Make Ready Peter Maybury ISBN 978 0 9566293 3 3, Gall editions, 2015