client: Dublin City Council/ Dublin City Council Culture Company
date: 2018
design: Peter Maybury, David Donohoe
Branding and visual identity, wayfinding, website, print and screen items
Henrietta Street in Dublin's North inner city is the most intact collection of early to mid-18th century houses in Ireland. From Georgian townhouse to tenement dwelling, 14 Henrietta Street tells the story of the house and the lives of the people who lived there and how social change impacted on them over time.
Gerard Byrne
editors: Anderson Byrne Maybury
client: Frac des Pays de la Loire, Carquefou / Kunstmuseum St.Gallen / Australian Centre for Contemporary Art, Melbourne
publisher: Verlag
date: 2018
printing: MM artbook printing & repro
binding: uncredited
run: 750 copies FR/EN, 750 copies GR/EN
size: 300 mm x 290 mm landscape
extent: 80 pages + endpapers + covers + dustjacket
ISBN 978-3-903131-01-9 (GR/EN)
ISBN 978-3-903228-67-2 (FR/EN)
_____________________________
covers:
hardback paperbound, printed 2/0 K onto 150grs Mohawk superfine
inside:
printed 4/4 LED UV onto 150grs Mohawk superfine
endpapers:
printed 1/1 (double strike K) onto 150grs Mohawk superfine
binding:
hardcover, thread sewn, black head and tail bands, 2.2mm boards
dustjacket:
printed 4/0 CMYK onto 200grs Gardapat gloss + gloss lamination
_____________________________
client: Irish Museum of Modern Art
date: September 2009
printing: MM artbook printing & repro, the Netherlands (credited: 1455)
binding: uncredited
run: 500 copies
size: 165 x 210 mm portrait
extent: 280 pages + endpapers + covers
ISBN 978 1 907020 02 5
_____________________________
covers:
hardback paperbound, printed 4/0 CMYK onto 120grs Bioset
inside:
printed 4/4 CMYK onto 130grs Bioset
endpapers:
printed 1/1 (double strike) onto 150 grs Bioset
binding:
hard cover bound, square spine, head and tail bands, 1.5mm board
cold melt glued
_____________________________
Access All Areas addresses a wide range of institutional and personal ideologies governing access to art and artists and the national cultural frameworks that support them. Contributing texts in this publication stems from Access All Areas, the second in a series of international symposia hosted in 2006 by the Irish Museum of Modern Art, Dublin. Also included in this publication series are Curating Now (2009) and Museum21 (2010). Edited by Helen O’Donoghue.
volumes 1–7
publisher: Sub Rosa, Belgium,
2002-on-going
Digipak CD and triple vinyl editions
cat. no.:
vol 1: SR190 (CD) SRV190 (vinyl)
vol 2: SR200 (CD) SRV200 (vinyl)
vol 3: SR220 (CD) SRV220 (vinyl)
vol 4: SR250
vol 5: SR270
vol 6: SR290
vol 7: SR300
__________________________________
Series compiled and edited by Guy Marc Hinant. Guy Marc’s cover concept was to begin the series at the exterior (the iconic Philips Pavilion built for Expo ’58, Brussels), moving in steps into the room and into the machines before zooming back out to a concept sketch for the pavilion by Iannis Xenakis: the building in thought form only.
http://www.subrosa.net/en.html
client: Eli and Edythe Broad Art Museum at Michagan State University
date: 2016
printing: MM artbook printing & repro, the Netherlands
binding: uncredited
run: 500 copies
size: 165 x 240 mm portrait
extent: 64pg. + endpapers + covers
ISBN 978 1 941789 03 2
_____________________________
covers:
4 page hardcover
printed 1/0 black foil block on spine
and 1 blind deboss onto front and back covers
onto Constellation Jade E49 Country
endpapers:
2 x 4 pages printed 4/4 onto 135grs Lessebo design naturel 1.3
inside:
64 pages printed 4/4 onto 135grs Lessebo design naturel 1.3
binding:
hardcover, thread sewn, black head and tail bands
1.5mm boards, square spine
World Anni e Josef Albers e l'America Latina
_____________________________
client: The Josef and Anni Albers Foundation
date: 2016
printing : MM artbook printing & repro, the Netherlands
binding: unknown
run: 1,000 copies
size: 240 x 280 mm portrait
extent: 64pg. + endpapers + covers
_____________________________
Bi-lingual publication to accompany the exhibition at Museo delle Culture, Milan, Italy
28 October 2015 – 21 February 2016
editor: Nicholas Fox Weber
_____________________________
covers:
4 page hardcover
printed 4/0 (CMYK) + 1 x PMS (spine) onto 150grs Lessebo design white 1.3
endpapers:
2 x 4 pages printed 1/1 double hit PMS 192, 188, 300 (front) & 284, 181 (back) onto 150grs Lessebo design white 1.3
inside:
152 pages printed 4/4 (CMYK) onto 170grs Garda Art matt/Profisilk
binding:
19no. 8 page sections gathered into 9.5 x 16 page sections
hardcover, thread sewn, head and tailbands (white)
2.5 mm boards front and back, 2mm in spine
client: Irish Museum of Modern Art
date: 2009 – 2011
printing: MM artbook printing & repro, the Netherlands
binding: uncredited
run/extent:
issue 1: 176pp. + covers, 1,500 copies
issue 2: 216pp. + covers + CD on hub, 1,000 copies
issue 3: 280pp. + covers, 1,000 copies
issue 4-7: 144pp. + covers, 1,200 copies
size: 230 x 285 mm portrait
_____________________________
issue 1:
ISSN: 2009 1834 (no ISBN)
issue 2:
ISSN: 2009 1834 ISBN: 978 1 907020 68 1
issue 3:
ISSN: 2009 1834 ISBN: 978 1 907020 45 2
issue 4:
ISSN: 2009 1834 ISBN: 978 1 907020 54 4
issue 5:
ISSN: 2009 1834 ISBN: 978 1 907020 58 2
issue 6:
ISSN: 2009 1834 ISBN: 978 1 907020 68 1
issue 7:
ISSN: 2009 1834 ISBN: 978 1 907020 69
_____________________________
covers:
4 page cover printed 4/4 (black + 3 x PMS) + all over varnish onto 400grs Munken Pure
inside:
varying 172-280 pages onto Furioso white 135grs printed 4/4 CMYK + all over sealer
binding:
Thread sewn, Otabind
_____________________________
Between 2009 and 2011 I designed the seven volume Boulevard Magenta, an expansive journal edited by Enrique Juncosa and published by the Irish Museum of Modern Art. It features contributors as diverse as Pedro Almodóvar, Matthew Barney, Jessica Craig-Martin, Seamus Heaney, Mark Manders, Brian O'Doherty, Hans Ulrich Obrist, Garrett Phelan, Philippe Parreno, Steve Reich, Richard Serra, Apichatpong Weerasethakul, and Terry Winters.
client: Dennis McNulty,
publisher: Collective, Edinburgh
date: 2015
printing: Newspaper club, Glasgow
binding: loose folded
run: unknown
size: 289mm x 380 mm portrait
extent: 16 page self-cover printed CMYK throughout onto 52grs newsprint
www.dennismcnulty.com
client: Lismore Castle Arts
date: May 2008
printing: Drukkerij Rosbeek bv, the Netherlands
binding: "yet to be credited", the Netherlands
run: 1,000 copies numbered
size: 165 x 210mm portrait
extent: 56pg. self-cover
ISBN: 0 9551224 3 0
ISBN: 978 0 9551224 3 9
_____________________________
inside:
56pg. divided into:
4 x 12pg. sections as follows:
(A) 4 pg. printed 4 colour process 2 sides on 135grs Splendorlux (uncoated side faces out) wrapping around
(B) 4 pg. printed 4 colour process 2 sides on 140grs Pergamenata luxor bianco wrapping around
C) 4 pg. printed 4 colour process 2 sides on 120grs Biokraft then
(A) 4 pg. printed 4 colour process 2 sides on 135grs Splendorlux wrapping around (B)4 pg. printed 4 colour process 2 sides on 140grs Pergamenata Luxor bianco
binding:
thread sewn in sections, self-cover
cold-melt glued
finishing:
emboss on page 1 (stamp size 115 x 110mm)
each 4pg. within a section trimmed to a different width
PAGE DIMENSIONS:
A = 165 X 210mm
B = 160 X 210mm
C = 162.5 X 210mm
_________________________
Curated by Richard Cork.
Artists: Kate Atkin, Matt Calderwood, Roger Hiorns, Rosalind Nashashibi & Lucy Skaer, Eva Rothschild, Conrad Shawcross, Daniel Silver, Kate Terry
client: Taymour Grahne Gallery, New York
date: December 2013
printing: MM Artbook printing & repro
binding: not credited
run: 500 copies
size: 165 x 210 mm portrait
_____________________________
endpapers:
printed 4/4 CMYK onto Lessebo design Naturel 1.3/150 grs
inside:
56 pages printed 4/4 CMYK onto Lessebo design Naturel 1.3/150 grs
cover/binding:
Brillianta 4004
matt white foil block on front cover
case bound, square spine and head and tail bands
client: The Douglas Hyde Gallery
date: 2013
printing: MM Artbook printing & repro
binding: Boekbinderij VanWaarden bv, Zaandam
run: 500
size: 138.5 x 210mm portrait
extent: 32pg. + endpapers + covers
ISBN 978-1-905397-40-2
_____________________________
covers
hardcover linen Iris dark brown2
foil blocked in 1 colour
inside
32pg. 150grs Furioso white 150grs 4 colour process
endpapers
150grs munken lynx 4 colour process 2 sides
binding
thread sewn in 4 x 8pg sections
_____________________________
100 Archive
client: Susan MacWilliam
date: 2017
printing: Graphicom
binding: not credited
run: 500 copies
size: 165 x 220 mm portrait
extent: 88 pages + endpapers + covers
ISBN 978 0 9957001 0 9
ISBN 978 0 9954611 1 6
___________________________
cover:
printed 4/0 + varnish on 120grs Efalin textured paper
endpapers:
printed 4/0 + varnish on 140grs Tauro offset paper
inside:
88 pages printed 4/4 on 135grs Tatami white
binding:
‘thin hardback’ section sewn with a printed cover over 1.5mm boards, square spine, H&T bands
___________________________
Published by
NN Contemporary Art
QUAD
CONNERSMITH
client: Irish Museum of Modern Art
date : 6 October 2012 - 23 February 2013
printing : MM Artbook printing & repro binding: unknown
run: 1,000
size: 220 x 285mm portrait
extent: 144pg. + endpapers + covers + 8pg. dustjacket
ISBN: 978-0-907020-92-6
_____________________________
dustjacket:
4/0 + matt laminate onto 150grs Furioso, and silver foil on spine, 100mm flaps
cover:
120grs Munken Pure printed PMS877 solid 1/0 with blind emboss front only
2.5mm boards
endpapers: printed 4/4 onto 120grs Munken Pure
inside:
144 pages 4/4 onto 150grs Furioso
binding:
hard cover, thread sewn in sections, square spine, head and tail bands
_____________________________
100 Archive
client: RHA Gallery, Dublin
date: May 2016
printing: MM artbook printing & repro
binding: Schwind
run: 600
size: 200 x 260 mm portrait
extent: 216pg. + endpapers + hard covers + 4pg. booklet loose inserted
ISBN 1 903875 81 1
_________________________
cover:
4 page hardcover printed 4/0 CMYK onto 150grs Lessebo Design white 1.3
endpapers: 2 x 4 pages onto Printed: 4/1 CMYK/PMS BLACK double hit onto 150grs Lessebo Design white 1.3
inside:
216 pages printed 4/4 CMYK onto 150grs Luxo Art samt
13.5 sections x 16 pages
4 page self-cover printed 1/1 onto 150grs Lessebo Design white
inserted loose into book
_________________________
www.davidfarrell.org
www.rhagallery.ie
client: Crawford College of Art & Design
date: 2011
printing: Hudson Killeen, Dublin
binding: unknown
run: unknown
size: 160 x 210 mm portrait
extent: 120pg. + covers
cover
2/0 onto Munken Lynx 300grs
inside
120pg divided into
8pg 1/1 on Munken Lynx 120grs
96pg 4/4 onto Revive 50/50 Silk c.130grs
8pg 1/1 on Munken Lynx 120grs
8pg 4/4 on Munken Lynx 120grs
thread sewn
binding:
perfect bound
client: Irish Museum of Modern Art / BOZAR books
date: 2013
printing: MM Artbook printing & repro,
the Netherlands
binding: not credited
run: 1,000 copies
size: 168mm x 240mm portrait
extent: 164pg. + 8 page covers
ISBN: 978-1-907020-96-4
D/2013/2634/2
_______________________________
pp.1-12 onto 135grs Cyclus offset
pp.13-164 printed 4/4 onto 150grs Furioso
binding: softcover, thread sewn, cold glue
Changing States: Contemporary Irish Art & Francis Bacon's Studio presents the work of 20 contemporary Irish artists who have made significant contributions to contemporary art practice. An exhibition of items from the studio of Francis Bacon provides an in-depth picture of art-making by one of the greatest artists of the 20th century, whose subject matter and existential concerns are highly regarded by younger generations of artists working in all media. The exhibition draws on the impressive collections of Ireland's two leading institutions of modern and contemporary art, the Irish Museum of Modern Art (IMMA) and Dublin City Gallery The Hugh Lane.
client: Irish Museum of Modern Art
date: June 2008
printing: Drukkerij Rosbeek bv,
the Netherlands
binding: Callenbach, the Netherlands
run: 2,500 copies
size: 230 x 285 mm portrait
extent: 188pg. + endpapers + covers
ISBN 978 1 903811 89 4
_______________________________
covers:
printed 4/4
hardcover with foam wrapped in paper and matt laminated
text screenprinted onto laminted cover in 1 colour
square spine, head-and-tailbands, cold-melt glued
endpapers:
printed 4/0 onto 150grs Lessebo Design 1.3
inside:
188 pages divided into:
80pg. printed 4 colour process 150grs Job Art gloss
4pg. printed 4 colour process 1 side on 100grs Golden Star silver
48pg. printed 4 colour process 100grs Munken Print cream 15
8pg. printed 1 colour 100grs Munken Print cream 15
48pg printed 4 colour process 150grs Lessebo Design 1.3
running sequence:
24pg. printed 4 colour process 150grs Hello gloss
16pg. printed 4 colour process 100grs Munken Print cream 15 w/
4pg. wrap-around printed 4 colour process 1 side on 100grs Golden Star silver
16pg. printed 4 colour process 150grs Hello gloss
16pg. printed 4 colour process 100grs Munken Print cream 15
16pg printed 4 colour process 150grs Lessebo Design 1.3
8pg. printed 4 colour process 150grs hello gloss
8pg. printed 1 colour 100grs Munken Print cream 15
16pg printed 4 colour process 150grs Lessebo Design 1.3
16pg. printed 4 colour process 100grs Munken Print cream 15
16pg printed 4 colour process 150grs Lessebo Design 1.3
8pg. printed 4 colour process 150grs Hello gloss with 1 x 8pg wraparound, concertina folded
16pg. printed 4 colour process 150grs Hello gloss
client: Irish Museum of Modern Art
date: September 2009
printing: MM artbook printing & repro, the Netherlands (credited: 1455)
binding: uncredited
run: 500 copies
size: 165 x 210 mm portrait
extent: 192 pages + endpapers + covers
ISBN: 978 1 907020 01 8
_______________________________
covers:
Hardback paperbound. Printed 4/0 CMYK onto 120grs Bioset
inside:
printed 4/4 CMYK onto 130grs Bioset
endpapers:
printed 1/1 (double strike) onto 150grs Bioset
binding:
Hard cover bound, square spine, head and tail bands, 1.5mm board
cold melt glued
_____________________________
Curating Now investigates issues around curatorship in international galleries and museums exploring different models and the importance of particular contexts. This publication stems from the Curating Now symposium, the first in a series of international symposia hosted in 2004 by the Irish Museum of Modern Art, Dublin. Also included in this publication series are Access All Areas (2009) and Museum21 (2010). Edited by Helen O’Donoghue.
Algorithmically generated publication
2014 –
cover design and graphic consultancy: Peter Maybury
From the press release:
"The border between fictional or projected futures and reality is becoming more and more difficult to precisely determine. The next version of the internet, which is referred to as the Semantic Web, is being designed to be navigated by machines, and The Internet of Things promises us a world where all objects will possess, and be able to communicate, some kind of awareness of their place in a hierarchy of matter. Processes like Machine Translation and Sentiment Analysis, which are part of the Artificial Intelligence jigsaw alongside technologies such as Machine Vision and Deep Learning systems, have been slowly leaking into the present for a number of years now.
These and other shifts in the human/machine relationship form the backdrop to Corpus, a two volume artist's publication project by Dennis McNulty. The word corpus means body in Latin, but it also refers to a large and structured collection of texts. Large corpora (the plural of corpus) form the basis contemporary Machine Translation algorithms, such as Google translate. The volumes of McNulty's project are entitled Corpus and Organs. The former comprises a diagrammatic translation of every review of the movie The Fountainhead on amazon.com, each of which is generated algorithmically, while the latter presents a series of texts as an accompaniment and contextualisation."
Corpus is co-published by Publication Studio Vancouver and Project Press. Supported by an Arts Council of Ireland Project Award.
client: Irish Museum of Modern Art
date: 2012
printing: Colorman, Dublin under the supervision of MM Artbook printing & repro
prepress: MM Artbook printing & repro
run: 2,500
size: 220 x 254 mm portrait
ISBN: 978 1 907020 81 0
_____________________________
cover: Munken Pure 400 grs
printed: 4/1 from which 0/1 is a double hit one hand-mixed colour
inside: 160 pages
paper: Hello Fat Matt 150 grs
2 x 8 page sections pro printing sheet
printed : 4/4 = CMYK, CMY = K&E Novavit 918, black = Novaspace 2010
dotscreen: 200 lpi
binding: Thread sewn, covers drawn on
client: Irish Museum of Modern Art
date: 2017
printing: dieKeure
run: 800 (2 versions)
size: 270 x 330mm portrait
extent: 144pg. + endpapers + covers
ISBN 978 1 901192 48 3
_____________________________
cover:
printed 4/4 process + aqueous coating onto 120grs Freelife Vellum white
inside:
printed 4/4 process onto 150gsrs Magno Volume
endpapers:
printed 4/4 process onto 140grs Freelife Vellum white
binding:
threadsewn hardcover cold glue in 8s,
1.5 mm greyboard covered with printed paper, round spine, H&T bands
_____________________________
client: Arts Council/An Chomhairle Ealaíon
date: April 2009
printing: MM artbook printing & repro, the Netherlands (credited: 1455)
binding: unknown
run: 800 copies
size: 203 x 254 mm portrait
extent: 48pg. + endpapers + covers
ISBN: 978 1904291 42 8
________________________________
cover:
printed CMYK + 1 colour double strike fluorescent mix onto Lessebo Design white 130grs
inside:
12 pages printed 4 colour process onto 100grs Casing 2 lichtbruink
then 32 pages printed 4 colour process onto 150rgs Freelife Symbol gloss then 4 pages printed 4 colour process Casing 2 lichtbruink
endpapers:
front: Lessebo Design white 130grs, printed 1/1 fluorescent mix double strike
back: Casing 2 printed 1/0 black
binding:
case bound, square spine and head and tail bands
Deboss on front and back cover
_______________________________
A joint venture between the Arts Council/ An Chomhairle Ealaíon and Arts Council of Northern Ireland, the Curated Visual Arts Award presented solo exhibitions at the Douglas Hyde Gallery, Dublin and Void, Derry of works by Brendan Earley, Factotum, Conor McFeely and Bea McMahon curated by Mike Nelson.
client: The Douglas Hyde Gallery
date: 2013
printing : MM Artbook printing & repro
binding: Boekbinderij VanWaarden bv, Zaandam
run: 500
size: 138.5 x 210mm portrait
extent: 32pg. + endpapers + covers
ISBN: 978 1 905397 39 6
_____________________________
inside 32pg. printed 2/2 Novaspace black and PMS 425 onto 135grs Tatami natural ivory
endpapers:
1/1 PMS 7542 150grs Munken Lynx
cover:
blind embossed onto Brillianta 4043
binding :
thread sewn 4 x 8pg.
A2 folding to A5 programme
printed 4/4 onto 115grs gloss stock
client: East Asia Film Festival Ireland
date: 2018
printing: Impress Printing Works, Dublin
run: 5,000 copies
short run 30x40 digital posters, The Poster Company
client: Irish Architecture Foundation
date: 2013–14
printing: Datascope
binding: loose folded
Run 3,000 copies
Size: 310 x 480 mm portrait
extent: 20pg. self-cover
ISBN: 978-0-956-72495-3
_______________________________
client: Crawford Art Gallery, Cork
date: 2013
printing: MM Artbook printing & repro
binding: uncredited
run: 500 copies
size: 156 x 234 mm portrait
extent: 68pg. + endpapers + covers
ISBN 978-1-874756-17-0
_____________________________
cover: 2 x 2 page onto Constellation Jade E49 Country
printed: 1/0 blind emboss
endpapers: Cyclus offset 135grs
printed: 4/4 CMYK
inside: page 1/8 on cyclus offset 13grs2
printed: 4/4 CMYK
2 pages Cromatico yellow
unprinted
9/24 onto Cyclus offset 135grs
printed : 4/4 CMYK
2 pages Cromatico yellow
unprinted
25/68 onto Freelife gloss 150grs
printed: 4/4 CMYK
binding: Thread sewn, hardcover cut flush, covers glued onto 3mm boards
cloth in spine yellow colour as in innerwork
_____________________________
A group exhibition including works by Declan Clarke, Kitty Kraus and Dennis McNulty.
_____________________________
100 Archive
client: Irish Museum of Modern Art
date: June 2006
printing : Drukkerij Rosbeek bv,
the Netherlands
binding: unknown
run: 1,500
size: 230 x 285 mm portrait
extent: 232pg. + covers
ISBN: 1 903811 62 7
_____________________________
covers:
4 page printed 3/1 (not common) onto 400grs Flamingo
blind embossed.
inside:
232 pages divided into:
16 pages 4/4 onto 150grs JobArt Gloss
32 pages 2/2 onto 130grs Munken Lynx
32 pages 4/4 onto 130grs Munken Lynx
4o pages printed 1/1 onto 100grs Munken Print Extra 18
104 pages 4/4 onto 130grs Arctic the Volume
8 pages printed 1/1 metallic (not common) on 200grs Neobond white
binding:
thread sewn in sections, OTA bind
client: Irish Museum of Modern Art
date: 2015
printing: MM artbook printing & repro
binding: uncredited
run: 600 copies
size: 168 x 240 mm portrait
extent: 128 pages + endpapers + covers
ISBN: 978 1 909792 11 1
_______________________________
covers:
Hardback paperbound. Printed 4/0 CMYK onto 150grs Lessebo Natural
inside:
printed 4/4 CMYK onto 120grs Munken Polar
endpapers:
printed 4/0 onto 150grs Lessebo Natural
binding:
Hard cover bound, square spine, head and tail bands, 2mm boards
_____________________________
client: MK Gallery, UK / Fondazione Galleria Civica Trento
distributor: JRP|Ringier
date: May 2012
printing: MM artbook printing & repro
binding: uncredited
run: 1,200
size: 300 x 290 mm landscape
extent: 60pg. + endpapers + 8pg. dustjacket and hard covers
ISBN: 978-3-03764-271-9
_____________________________
cover:
cloth cover deboss front, black foil spine
inside:
60 pages divided into :
pp.1-12 onto Gardapat Kiara 135grs printed : 2/2 duotone
pp.13-24 onto Larius gloss 200grs printed : 3/3 tritone
pp.25-36 onto Gardapat Kiara 150grs printed : 3/3 duotone and PMS 1795
pp.37-48 onto Larius gloss 200grs printed 3/3 tritone
pp.49-60 onto Gardapat Kiara 150grs printed 3/3 duotone + PMS 1795
endpapers:
2 x 4 page onto Lessebo design white 1.3 / 120grs printed 1/1 PMS 5747 double strike
dustjacket:
8 page dustjacket onto Larius gloss 150grs (flaps 180mm) printed 2/0 duotone
binding:
Case bound, square spine, 2.5mm board, green head and tail bands to match endpapers
_____________________________
Included in the shots are copies of Tuxedo Junction and Images or Shadows, the invitation for Gerard's IMMA show Through the eyes, and one of the reference prints used when preparing the duotones and tritones.
120lpi screens used throughout. Duotones printing onto matt, tritones printing onto gloss, in alternating 12pg. sections.
_____________________________
100 Archive
client: Crawford Art Gallery, Cork
date: 2011
printing: MM Artbook printing & repro
binding: uncredited
run: 500 copies
size: 156 x 234mm portrait
extent: 56pg. + endpapers + covers
ISBN 978 1 874756 09 5
_____________________________
covers:
4 page cover with cloth in spine and cutflush 3mm board on front and 1,5mm on back cover Printed : 1/0 (black) onto 135grs Munken Pure
endpapers:
2 x 4 pages unprinted Munken Pure 135grs
inside:
A) 16 pages Munken Pure 80grs (1 x 12pg. and 1 x 4pg.) printed 1/1 black
B) 16 pages Munken Pure 135grs (2 x 8pg.) printed 1/1 black
C) 16 pages Munken Pure 170grs (2 x 8pg.) printed 4/4 CMYK
D) 8 pages Munken Pure 200grs (1 x 8pg.) printed 1/1 black
binding:
threadsewn, cut-flush, black cloth spine
_____________________________
Featured artists:
Marina Abramovic
Robert Ballagh
Aideen Barry
Maud Cotter
Michael Craig-Martin
Daghdha Dance Company
Dorothy Cross
Giorgio Cugno
Gerard Dillon
Brian Duggan
Jimmie Durham
Felim Egan
Adam Ekberg
William Forsythe
Patrick Graham
Ilya Kabakov
Clare Langan
Johan Lorbeer
Lilly McElroy
Tom Molloy
William Parsons (3rd earl of Rosse)
Alex Pentek
Alana Riley
Kitty Rogers
Sean Scully
Antoni Tàpies
Pieter van der Heyden
Michael Warren
Li Wei
Grace Weir
_____________________________
100 Archive
client: IKON, Birmingham / CAG, Vancouver / Project Arts Centre, Dublin
date: 2012
printing: MM Artbook printing & repro
binding: uncredited
run: 1,000
size: 135 x 185 mm portrait
extent: 184pg. + covers
_____________________________
cover:
4pg. soft cover printed 1/0 PMS onto Artist Rives Design 250grs +
white foil block front and spine
inside:
184 pages divided into:
pp.1-80 printed 4/4 onto 170grs Furioso pp.81-96 printed 1/1 onto 115grs Munken Print white 1.5 pp.97-104 printed 4/4 onto 115grs Munken Print white 1.5 pp.105-120 printed 1/1 onto 115grs Munken Print white 1.5 pp.121-184 printed 4/4 onto 170grs Furioso
binding:
thread sewn, hot melt
_____________________________
other works relating to Sarah Browne:
Lebensreform in Leitrim, IrelandVenice, sarahbrowne.info
100 Archive
client: Gareth Kennedy
date: 2012
printing: MM artbook printing & repro
binding: uncredited
run: 350
size: 150 x 195 mm portrait
extent: 32pg. + 8pg. cover
cover:
1/0 onto 200grs brown (recto) / white (verso) craft board
inside:
32 pages printed 4/4 onto 80grs Munken Pure
binding:
softcover, open spine, cold-glue, glue-strip hand-painted
______________________________
A blue ink was hand-mixed and printed onto the kraftboard cover. After the books where bound the spine was painted yellow.
______________________________
other works relating to Gareth Kennedy:
IrelandVenice, Post Colony
client: Irish Museum of Modern Art
date: 2011
printing: MM artbook printing & repro
binding: Binderij Hexspoor
run: 1,200
size: 230 x 260 mm portrait
extent: 224pg. + covers
ISBN: 978 1 907020 6102
_____________________________
cover:
softcover with OTA bind printed 4/4 onto 400grs Trucard
matt laminated + spot gloss varnish
inside:
224 pages printed 4/4 onto 150grs Claro Bulk
_____________________________
100 Archive
client: Irish Museum of Modern Art
date: 2011
printing: MM Artbook printing & repro
binding: unknown
run: 400
size: 170 x 240 mm portrait
extent: 24pg. self-cover
_____________________________
performance programme
The intelligence park
Opera in three acts by Gerald Barry
libretto by Vincent Deane
The Great Hall
Irish Museum of Modern Art
18 May 2011
Gerald Barry
_____________________________
printed 4/4 CMYK onto Furioso white 135grs
saddle-stitched with copper wire
Royal Hospital Kilmainham, Dublin, 2013
painted walls, window film, vinyl lettering
The wayfinding system developed for the Irish Museum of Modern Art, at the Royal Hospital Kilmainham in Dublin addresses complex navigation issues throughout a listed structure.
Minimising architectural intervention, only glazing and painted areas are used as signs. No other mechanisms are employed. The glazed foyer is a natural lightbox. A translucent coloured frieze is fixed to the glass and lettering applied, allowing unfiltered daylight to enter above and below.
From the courtyard the glazing becomes a unifying low-key sign, while inside, the space is enveloped by a coloured glow. The colour changes the atmosphere of the room.
On the walls, painted areas delineate signage with vinyl lettering. This logic is applied throughout the building.
_____________________________
100 Archive
client: Irish Museum of Modern Art
date : November 2007
printing : Drukkerij Rosbeek bv,
the Netherlands
binding: Binderij Van Waarden,
the Netherlands
run: 1,000 copies
size: 215 x 265 mm portrait
extent: 176pg. + endpapers + covers
_________________________________
covers:
printed full colour + gloss sealer on to 120grs Munken Lynx
inside:
32 pages printed 4/4 onto 150grs Munken Lynx
88 pages printed 4/4 onto 150grs Arctic Volume
16 pages printed 4/4 onto 150grs Munken Lynx
40 pages printed 4/4 onto 150grs Munken Lynx
endpapers:
2 sides printed 4/4 onto 150grs Munken Lynx
binding:
hardcover bound, 1 mm boards, square spine, head & tail bands
___________________________________
This is my other favourite book. Edited by Sean Kissane, and with thanks to him for design input.
client: Ireland at Venice
date: June 2009
printing: MM Artbook printing & repro (credited 1455)
binding: Hexspoor
ISBN 978 0 9553950 4 8 (set)
ISBN 978 0 9553950 3 1 (KB)
ISBN 978 0 9553950 1 7 (SB)
ISBN 978 0 9553950 2 4 (GK)
_____________________________
3 publications:
Kennedy Browne; Sarah Browne; Gareth Kennedy;
165 x 240 mm portrait
Inner work all sections of 8 pages.
book 1 (KB)
cover 4 page cover onto Woodstock Noce 285 g/m2, printed 0/1 black, emboss on front cover
Inside 56 pp. - onto Bioset 13. / 150 g/m2 printed 4/4 cmyk
8 pp. Sirio color Sabbia 115 g/m2, printed 1/1, wrap around in the middle of last section.
binding:
swiss bound / black tape
book 2 (SB)
cover 4 page cover onto Woodstock Grigio 285 g/m2, printed 0/1 black, blind emboss on front cover
Inside 64 pp. - onto Bioset 13. / 150 g/m2 printed 4/4 cmyk
binding:
swiss bound / black tape
book 3 (GK)
cover 4 page cover onto Woodstock Camoscia 285g/m2, printed 0/1 black, emboss on front cover
Inside 56 pp. - onto Bioset 13. / 150 g/m2 printed 4/4 cmyk
8 pp. onto Freelife Symbol gloss 90 g/m2, 4/4 cmyk, wrap around in the middle of 2nd section
binding:
swiss bound / black tape
______________________________
other works relating to Sarah Browne:
How to use fool’s gold, Lebensreform in Leitrim, sarahbrowne.info
other works relating to Gareth Kennedy:
IrelandVenice, IKEA butter churn for Gneeveguilla, Post Colony
client: Mead Gallery, University of Warwick/ Monash University Museum of Art, Australia
date: 2016
printing: MM artbook printing & repro, the Netherlands
binding: Schwind
run: 500 copies
size: 165 x 210 mm portrait
extent: 48pg. + endpapers + hard covers + dustjacket
ISBN (UK) 978-0-9934245-1-9
ISBN (AU) 978-0-9923754-9-2
_____________________________
cover:
4 page hardcover Iris cloth (874 Malachit)
printed 1 colour foil block (black) 132 x 55mm
dustjacket:
8 page dustjacket, flaps 100 mm
printed 4/0 + one side gloss lamination onto 135grs Tatami white
endpapers:
2 x 4 pages printed 1/0 (BLACK) text, and one page solid (p4 front) double hit
onto 130grs Munken Lynx
inside:
48 pages printed 4/4 CMYK onto 135grs Tatami white
binding:
Hardcover, thread sewn, no head and tail bands
square spine and 2mm boards
client: Irish Museum of Modern Art
date: February 2008
printing: Drukkerij Rosbeek bv,
the Netherlands
binding: Binderij Van Waarden, the Netherlands
run: 1,200 copies
size: 245 x 270 mm portrait
extent: 168pg. + endpapers + covers
ISBN 1 903811 08 5
________________________
covers:
printed 4/4 CMYK onto 120grs Papilin
inside:
168 pages printed 4/4 CMYK onto 150grs Lessebo Design 1.3
endpapers:
printed 4no. PMS double strike onto 140grs uncoated stock
binding:
hardcover bound, 2mm boards, square spine, head & tail bands
artist: Sarah Browne with Peter Maybury
date: February 2011
printing: MM Artbook printing & repro
binding: uncredited
run: 500
size 156 x 234 mm portrait
extent: 112pg. + softcovers
_____________________________
234 x 156 mm (Royal octavo)
112pg + covers
covers: printed 2/0 onto 300grs Munken Pure
inside: 112 pages printed 1/1 onto 80grs Munken Pure
_____________________________
other works relating to Sarah Browne:
How to use fool’s gold, IrelandVenice
sarahbrowne.info
publisher: Pádraic Moore
date: 2014
printing: MM artbook printing & repro
binding: uncredited
run: 300 copies
size: 165 x 203 mm and
158 x 203 mm portrait
extent: 124pg. + endpapers +
hard covers
_____________________________
cover:
4pg. cover Sirio Color dark blue 120grs
unprinted hard cover 1.5mm greyboard, half cloth, 15mm on front and back
foil block on front 150 x 130 mm
endpapers:
Sirio Color dark blue unprinted
inside:
72pg 1/1 onto Carabic Color
12pg 1/1 onto 90grs Munken Print cream 1.5
32pg 4/4 onto 150grs Luxo art samt
total is 116 pages, divided into:
8pg. printed 1/1 PMS onto Carabic color 80grs with 4pg. insert at centre: 4/4 onto 150grs Luxo art samt
then: 16pg printed 1/1 PMS onto Carabic color 80grs
then: 8pg printed 1/1 PMS onto Carabic color 80grs
then: 12pg. printed 4/4 CMYK, 150 x 180 mm portrait onto 150grs Luxo art samt
then: 8pg printed 1/1 PMS onto carabic color 80grs
then: 16pg. 1/1 PMS onto Carabic Color 80grs
then: 8pg. 130 x 203mm, printed 1/1 onto 90grs Munken Print cream 15
then: 8pg. printed 1/1 PMS onto Carabic Color 80grs
_____________________________
exhibition:
Dublin City Gallery The Hugh Lane
19 June – 7 September 2014
Featuring work by:
Dorje deBurgh, Derek Jarman, Gunilla Klingberg, Bea McMahon, Garrett Phelan, Richard Profitt with esoteric illustrations by Katie Scott
curated by Pádraic E. Moore
This book features the release version of Cardea, a font designed by David Cabianca. David kindly offered that I try out a pre-release version, which is used for the texts in The greatness of things, the Hilma af Klint book I designed for the Douglas Hyde Gallery in 2005. The release version of Cardea which was used in A modern panarion is now available from Emigre Fonts.
www.emigre.com
client: Irish Museum of Modern Art
date: 2010
printing: MM artbook printing & repro, the Netherlands (credited: 1455)
binding: uncredited
run: 500 copies
size: 165 x 210 mm portrait
extent: 216 pages + endpapers + covers
ISBN 978 1 907020 03 2
_______________________________
covers:
hardback paperbound. printed 4/0 CMYK onto 120grs Bioset
inside:
printed 4/4 CMYK onto 130grs Bioset
endpapers:
printed 1/1 (double strike) onto 150grs Bioset
binding:
hard cover bound, square spine, head and tail bands, 1.5mm board
cold melt glued
_______________________________
Museum21 investigates issues around curatorship in international galleries and museums exploring different models and the importance of particular contexts. This publication stems from the Museum21 symposium, the concluding partof a three part series of international symposia hosted by the Irish Museum of Modern Art, Dublin. Also included in this publication series are Curating Now and Access All Areas (both 2009). Edited by Helen O'Donoghue.
client: Dublin City Gallery The Hugh Lane
date: 2016-7
printing: dieKeure
binding: uncredited
run: 300 copies
size: 165 x 230 mm portrait
extent: 48pg. + 6pg. cover
ISBN 978 1 901702 50 7
_______________________________
covers:
printed 4/0 onto
inside:
printed 4/4 CMYK onto 150grs Magno Volume (Furioso white)
binding:
thread sewn in sections, black thread
client: Irish Museum of Modern Art
date: 2011
printing: MM artbook printing & repro, the Netherlands
binding: Schwind Trier, Germany
run: 1,500 copies
size: 215 x 265 mm portrait
extent: 596pg. + endpapers + 8pg. dustjacket + covers
dustjacket:
8pg. printed 5/0 onto 135grs Splendorlux (CMYK + PMS414)
endpapers:
printed 4/4 onto 135grs Splendorlux (gloss side up!)
inside:
p1-8 printed 4/4 onto 150grs Reviva Naturel
p9-576 printed 4/4 onto 135 grs Hello fat mat white
p577-596 printed 4/4 onto 150grs Reviva Naturel
spot colour and/or UV varnish on these pages:
8+9, 24+25,88+89, 102+103, 116+117, 204+205, 236+237, 330+331, 418+419, 496+497, 550+551
Spot colours are PMS1665, 177 + 414
ISBN: 978-1-907020-49-0
_____________________________
cover:
blind emboss (deboss) on front in Iris grey linen 101/846 binding:
hardcover bound, 2mm boards, round spine, head & tail bands
_____________________________
The moderns was one of three books presented by Peter at "The book: history and practice" at University College Dublin Humanities Institute, 12 March 2012. Also shown were Images or shadows, and Of. The workshop included presentations by book historians, educators, calligraphers and designers.
_____________________________
"THIS IS A HUGE BOOK. It weighs three kilos, looks beautiful and offers a rich pictorial history of modernist painting, sculpture, architecture, photography... The quality and number of illustrations are such that this book will long serve as a vital resource on informing us about the range of artistic activity during the period... This book makes the temporality of the exhibition visit permanent..." FINTAN CULLEN reviews The Moderns: The Arts in Ireland from the 1900s to the 1970s, Irish Times 23 July 2011
_____________________________
100 Archive
Dublin city’s twentieth-century buildings and their stories
1900-40
client: Dublin City Council
publisher: Dublin City Council with University College Dublin and Four Courts Press
date: 2016
printing: unknown
run: 500 copies
size: 165 x 240 mm portrait
extent 368pg. + 4pg. cover
ISBN 781 90207030442
_______________________________
cover:
printed 4/0 CMYK, matt laminated 1 side onto 350grs Zenith
inside:
368pg printed 4/0 CMYK throughout onto 150grs matt, sealer varnish throughout
folded, gathered, thread sewn in sections and covers drawn on
An artwork by Olav Westphalen created with Peter Maybury for the exhibition The Museum of Modern Comedy in Art (MoMCo) – A Proposal, Project Arts Centre, Dublin, 1 September – 21 October 2017
Co-curated by Livia Páldi and by Olav Westphalen
digital print, 3000 x 2200mm
client: Irish Museum of Modern Art
date: 2013-14
printing: Hudson Killeen, Dublin
binding: inhouse
run: 1,000 copies
size: flat folded size 210 x 280 mm portrait
extent: 8pg. text + poster-cover) + ribbon wrap
ISBN 978 1 907020 97 1
_______________________________
1) 840 x 560 mm folding to 210 x 280 mm
printed 4/4, in-line gloss all-over sealer onto 170grs gloss
2) 8pg. 210 x 280 mm printed 1/1 (K) throughout onto 150grs Munken pure, saddle stitched
3) paper ribbon 470 x 120 mm approx.
printed 1/0 PMS Orange 021 onto 150grs Munken pure
gathered with paper ribbon taped at back
client: Kennedy Browne / cottagelab
date : 2014
printing: Impress printing works, Dublin
binding: unknown
run: 300 copies
size: 150 x 220 mm portrait
extent: 40pg. + covers
ISBN 978 0 9554976 7 4
_____________________________
cover:
digital printed 1 side onto 300grs Cyclus offset + gold foil block front
inside:
digital printed throughout onto 150grs Munken Lynx
binding:
40pg. + covers thread sewn with foil block front cover
client: Irish Museum of Modern Art
date : 2012
printing : MM artbook printing & repro
binding: uncredited
run: 500 unnumbered
size 140 mm x 180 mm portrait
extent: 48pg. + endpapers + covers
cover:
printed 2/0 Novaspace black + gold PMS871 + all over sealer
endpapers:
printed 1/1 (black ) onto 135grs Munken Pure
inside:
48pg. printed 1/1 (black) onto 150grs Gardapat Kiara
+ page 26/27 printed 4/4 cmyk + page 46/47 gold PMS871 + spot sealer on gold
binding:
hardcover, thread sewn, square spine, 2.5mm boards
with blue ribbon bookmark
client: ID2015
date: 2015-16
printing: various (Newspaper Club [London], unknown [Chicago], unknown [Shenzhen])
binding: uncredited
run: 5,000 copies
size: 180 x 260 mm portrait
extent: 40pg. self-covers (London, Shenzhen), 32pg. self-cover (Chicago)
3 editions to accompany exhibitions in London, Chicago and Shenzhen, each printed web-fed full-colour throughout onto 55grs newsprint.
_____________________________
London Festival of Architecture
Hall McKnight
Clancy Moore
Steve Larkin
TAKA
1-30 June 2015
Chicago Design Museum
A2
GKMP
Ryan W. Kennihan
2 October – 31 January 2016
Shenzhen Bi-City Biennale of Urbanism\Architecture
AP+E
Urban Agency
4 December 2015 – 4 March 2016
Curated by Nathalie Weadick and Raymund Ryan
_____________________________
Also shown below are Shenzhen installation views including projected work by Matthew Thompson, and exhibition graphics designed here. (Photos courtesy Matthew Thompson)
client: The Model, Sligo, Ireland
date: 2014
printing : MM artbook printing & repro
binding: uncredited
run: 1,000
size: 165 x 245 mm portrait
extent: 116pg. + endpapers + covers
ISBN 978 0 9567179 2 4
_______________________________
cover:
4 page half cloth hardcover, white fake leather on spine and 2cm on front and back cover. 2mm greyboard
printed:
1/0 foil block black gloss on spine and front cover
endpapers:
2 x 4 pages onto Munken Print white 1.5 / 150grs printed: 2/2 (front K + PMS 622, back PMS 622)
inside:
20 pages onto 120grs Popset Ivory
printed: 1/1
96 pages onto 135grs Luxo art samt (Furioso)
printed: 4/4 CMYK
_______________________________
The Model is home to the Niland Collection, one of Ireland's most significant public art collections. Begun by Nora Niland in 1959, the collection features work by many of Ireland's most acclaimed twentieth century artists. The collection has a particular focus on the northwest of Ireland and features many artists who are linked to the area through birth, family or subject matter including Jack B Yeats, Patrick Collins, Sean McSweeney, Patrick Hall and Nick Miller. Paintings by the Yeats family are also a particular focus and the collection features almost fifty works by Jack B. Yeats, nineteen portraits by his father John Butler Yeats, as well as works by Jack's wife Mary Cottenham Yeats, and his sister Elizabeth Yeats.
(extract from Model website)
client: Barbara Knezevic
date : 2013
printing : MM artbook printing & repro
binding: uncredited
run: 300
size: 165 x 220mm portrait
extent: 128 pages (divided into 64 pages inside and 64 pages outside) + 6pg. covers
ISBN 978-0-9576073-0-9
_____________________________
cover: 6 page cover onto 350grs Naturel Braun
printed : 1/0 black
inside : 128 pages (divided into 64 pages inside and 64 pages outside)
printed : 4/0 CMYK
binding : softcover, PUR binding, no thread, colour in glue
diecut (78 x 78 mm square) on pages 53-56
_____________________________
100 Archive
client: Dennis McNulty,
produced in collaboration with IMMA Associated Press
date: 2011
printing: MM artbook printing & repro
binding: uncredited
run: 750
size: 170 mm x 230 mm portrait
extent: 144 pages + endpapers + covers
ISBN 978-1-907020-82-7
available in the shop!
_____________________________
cover: Imitlin colour 125grs
printed: 2 colours foil block
endpapers: 2 x 4 pages on to Munken Pure 100grs
printed : 1/0 PMS, double hit
inside : 144 pages
3 x 8 pages on to Munken Pure 70grs
printed : 1/1 PMS
96 pages on to Tatami White 150grs
printed: 4/4 cmyk + sealer all over
16 pages on to 80grs Idem SD ( carbonpaper ) blue
printed 1/1 PMS
binding: Thread sewn, coloured thread ( 1 colour ) round spine, 1,75 mm board
head and tailbands, 1 green, 1 blue
3 sections on Munken Pure bound each in the middle of a 16 page Tatami section
_____________________________
www.dennismcnulty.com
100 Archive
client: Varvara Shavrova
date: 2014
printing: Impress printing works, Dublin
binding: uncredited
run: 1,500
size:
extent: 420 x 720 mm folding to 32pg. 210 x 90 mm
_______________________________
32pg. leaflet/poster
420 x 720 mm
trimmed and folded to 210 x 720 mm then
concertina folding to 210 x 90 mm
printed 4/4 CMYK onto 120grs Munken Lynx
_______________________________
publication to accompany Varvara Shavrova THE OPERA
timelapse projection and sound installation
Across Chinese Cities – Beijing/ Dashilar, an official collateral exhibition at the Arsenale, 14th International Architecture Exhibition – La Biennale di Venezia / 'Fundamentals'
7 June – 23 November 2014
text: Seán Kissane
translated by Tiedong Yang
client: The Model, Sligo, Ireland
date: 2010/11
printing: MM artbook printing & repro
binding: unknown
run: 1,000
size: 190 x 250 mm portrait
extent: 112pg. + endpapers + covers
A survey exhibition and symposium curated by Brian O’Doherty and Emer McGarry
5 February - 10 April 2011
ISBN 978 0 9551734 8 6
____________________________
cover:
Imperial cloth linen printed 1 colour foil block and blind embossing on front and spine
endpapers:
2 x 4 pages printed 1/1 (PMS) onto Bioset 120grs, FSC, CU-COC-804101
inside:
56 pages (2 x 16 pages + 2 x 8 pages) printed 4/4 onto Bioset 120grs, FSC, CU-COC-804101
56 pages (3 x 16 pages + 1 x 8 pages) printed 4/4 onto 150grs Hello fat matt 1.3 Natural
finishing:
thread sewn, case bound, square spine, 1.5mm board and head & tailbands.
client: The Douglas Hyde Gallery
date : October 2009
printing : Cassochrome, Belgium
binding: uncredited
run: 500
size: 138.5 x 210mm portrait
extent: 36pg. + endpapers + covers
ISBN 978-1-905397-20-4
______________________________
cover:
Hard cover in 1/2 linen cover square spine and blind emboss on front
printed 4/0 onto 115grs Munken Pure
inside:
32 pages printed 4/4 onto 135grs Gardapat Klassica
4 pages printed 4/4 onto 135grs Gardapat Klassica (in 8 page section with back endpaper)
endpapers:
printed 4/4 onto 135grs Gardapat Klassica
binding:
Thread sewn in 4 x 8 page sections + 1 x 8 page (including 4 page back endpaper)
client: Gareth Kennedy
date: 2016
printing: MM artbook printing & repro, the Netherlands
binding: Schwind
run: 350 copies hand numbered
size: 156 x 234 mm portrait
extent: 40pg. + endpapers + covers
ISBN 978 0 9554976 8 1
_____________________________
cover:
4 page hardcover, Surbalin Linea color 5131 Yellow
1/0 foil block black - 45 mm x 8 mm
1 deboss 95 mm x 125 mm
endpapers: 2 x 4 pages unprinted onto 150grs Munken Pure
inside:
1/16 printed 1/1 black onto 150grs Munken Pure
17/24 printed 4/4 CMYK onto 200grs Garda Art gloss
25/40 printed 1/1 black onto 150grs Munken Pure
extra: 4 images printed as tip-ins onto 200grs Garda Art gloss
printed 4/4 CMYK, trimmed and packed
tipped in by hand by the artist
binding:
Hardcover, thread sewn
square spine 2mm boards
______________________________
other works relating to Gareth Kennedy:
IrelandVenice, IKEA butter churn for Gneeveguilla
client: Irish Museum of Modern Art
date: 2015
printing: MM artbook printing & repro, the Netherlands
binding: unknown
run: 300 copies
size: 180 x 276 mm portrait
extent: 72pg. + 6pg. hard/soft covers
ISBN 978 1 909792 07 4
_____________________________
covers:
6 page cover printed 2/0 onto 300grs Munken Pure
inside:
64 pages + 2 x 6 pages fold out, printed 4/4 CMYK onto 170grs Symbol Freelife
binding:
soft cover, swiss binding, thread sewn
black cloth on spine of innerwork
3mm grey board glued to back cover
_____________________________
Features work by Kevin Atherton, Jeremy Deller, Jesse Jones, Mike Kelley, Linder, Conrad Shawcross, Bedwyr Williams
Small format zine to accompany event at the Douglas Hyde Gallery, Dublin, 26 January 2017. DAXA, a custom musical device which translates between any arbitrary MIDI control surface and the DX7 was developed by artist Dennis McNulty specifically for David Donohoe.
photocopied onto 120grs Munken Polar. 250 copies A3 recto-verso
client: Gormley Fine Art
date : September 2008
printing: MM Artbook printing & repro (credited 1455)
binding: Binderij Van Waarden,
the Netherlands run: 500 copies
size: 254 mm x 254 mm portrait
ISBN 978 1 906872 01 4
_____________________________
cover:
4 page cover printed 4/4 + 1/1 matt varnish onto 250grs Arctic Volume
inside:
24 pages printed 4/4 CMYK + 1/1 mat varnish onto 150grs Arctic Volume
binding: cahier bound
sleeve:
258 X 258 mm
printed 2/1 (black double strike) + 1/1 matt varnish onto 350grs Trucard (1 sided cover board) ; laser-cut on front
_____________________________
This publication is modelled on a 10" record cover. Amongst the works from this exhibition are two pieces – one with a black background and one with a white background, the works are otherwise identical. 289 unique holes are laser cut through the black printed outer sleeve, beneath which can be seen the gold lozenges of the white painting on the front cover of the catalogue.
client: Dublin City Council
date: 2016
printing: MM artbook printing & repro, the Netherlands
binding: Schwind
run: 500 copies
size: 165 x 220 mm portrait
extent: 64pg. + endpapers + covers
ISBN: 978-0-9927450-3-5
_____________________________
cover:
hardcover Brillianta 4043 Grey
printed: 1 foil block pale grey 932 Colorit
endpapers:
2 x 4 pages onto
Garda Art gloss 170 gm2
Printed: 4/0 cmyk
inside:
Page 1-40 Lessebo Naturel 130 gm2
Printed: 4/4 cmyk
4 pages Chromatico Vert ( green ) 100 gm2
Wrapping around page 41-48
Printed: 1/0 black
Page 41-48 onto Lessebo Naturel 130 gm2
Printed: 4/4 cmyk
49-72 onto Lessebo Naturel 130 gm2
Printed: 4/4 cmyk
binding:
Hardcover, thread sewn,
head and tail bands pale blue - 211/14 – NW
1.5 mm boards, square spine
Various documents and items produced for print, screen and exhibition for the School of Architecture, University of Limerick (SAUL)
client: Irish Museum of Modern Art,
co-published with Charta
date: March 2007
printing: Drukkerij Rosbeek bv,
the Netherlands
binding: unknown
run: 3,000
size: 240 x 310 mm portrait
extent: 136pg. + endpapers + covers
ISBN 8881586428
_____________________________
cover:
printed 1/0 onto 115grs Munken Lynx
inside:
136 pages divided into:
24pg. printed 4/4 onto 115grs Munken Lynx including 8pg. gatefold
24pg. printed 4/4 onto 115grs Munken Lynx
4pg. printed 2/0 pantone onto 62grs Translucent
4pg. printed 1/0 pantone on 90grs Sirio Pearl Aurum wrapping around
16pg. printed 4/4 onto 150grs JobArt Parilux Mat
16pg. printed 4/4 onto 150grs JobArt Parilux Ivory
16pg. printed 4/4 onto 60grs Reprobank
32pg. printed 4/4 onto 150grs JobArt Parilux Gloss
endpapers:
printed 4/0 onto 115grs Munken Lynx
binding:
Paper case bound 1.5mm board. Die-cut with 16 holes through front cover.
_________________________
The arrangement of the 16 holes through the cover, mirrors the work '51 ways of looking', 'ill 31' and also recalls her video 'SpiNN' (ill 40)
client: The Douglas Hyde Gallery
date: 2010
printing: Lecturis bv,
the Netherlands
binding: Boekbinderij VanWaarden bv, Zaandam
run: 500
size: 138.5 x 210mm portrait
extent: 32pg. + endpapers + covers
ISBN 978 1 905397 29 7
_____________________________
cover:
Hard cover Brillianta linen cover square spine and foil blocked in 1 colour
inside:
32 pages printed 4/4 onto 150grs Symbol Tatami White
spot sealer varnish on images in separate pass
endpapers:
2 colour 2 sides (not common) + machine sealer varnish onto 150grs Munken print white
binding:
thread sewn in 4 x 8 page sections
_____________________________
This book is bound along the long edge but reads as a landscape book. The images have a spot varnish sealer printed in a separate pass and this gives the images a beautiful lift while contrasting with the open grain of the paper.
client: Bookworks
date: 2013
printing: MM artbook printing & repro
binding: uncredited
run: 1,000
size: 165 x 240mm portrait
extent: 176pg. + covers
ISBN 978 1 906012 37 3
_____________________________
cover:
8 page cover printed 4/0 (CMYK) onto 350grs Munken Pure
inside:
176 pages printed 4/4 (CMYK) onto 135grs Tatami White
binding:
thread sewn + 8 page cover
_____________________________
100 Archive
client: slow architectural research collective
date: 2011
printing: MM artbook printing & repro
binding: uncredited
run: 300
size: 160 x 220 mm portrait
extent: 56pg. + 16pg. covers
_____________________________
cover:
16 page dustjacket onto 115grs Munken Pure
open size 645 x 440 mm, folded to 645 mm x 220, folded to 8 page dustjacket
printed 1/1 (black)
inside:
48 pages printed 1/1 onto 115grs revive Print
8 pages printed 1/1 onto 80grs Munken Pure
binding:
swiss bound, thread sewn, cloth on spine and cm on front and back
cover loose from bookblock
client: Irish Museum of Modern Art
date: 2012
printing: Impress Printing works, Dublin
run: 300
size: 215 x 255 mm portrait
ISBN 978 1 907020 90 2
_____________________________
24pg. self cover
cover printing 2/1 (PMS5507 + K), inside printing 1/1
onto 120grs uncoated
saddle-stitched with copper wire
_____________________________
Text by Christine Mackey
client: Whitechapel Gallery, London
date: January 2013
printing: MM Artbook printing & repro
binding: uncredited
run: 1,000 copies
size: 210 x 210 mm portrait
extent: 96pg. + endpapers + covers
ISBN: 978-0-85488-212-0
_____________________________
cover:
Lessebo design naturel 1.3 / 120grs, printed : 5/5 CMYK + duotone
endpapers:
2 x 4 pages Lessebo naturel 1.3 / 120grs, printed : 1/1 double strike PMS
inside : 96 pages onto 150grs Hello fat matt 1.3 Natural in 8 x 12 page sections:
printed : 7 sections 2/2 duotone / dotscreen 300 lpi, 1 section 5/5 CMYK + duotone / dotscreen 300 lpi
binding :
hardcover, paper wrapped, 2.25mm grey board, round spine, head and tailbands
_____________________________
100 Archive
client: Seamus Nolan/ Upstate Theatre Project
date: 2016
printing: Impress Printing Works, Dublin
binding: in-house
run: 150 copies
size: 160 x 225 mm portrait
extent: 76 pages + 6pg cover
ISBN 1HOCK2E
___________________________
cover:
litho printed 2/0 (K + Y) onto 350grs kraft board
inside:
76 pages digital printed 120rs Munken Lynx
binding:
thread section sewn with covers drawn on
client: Irish Museum of Modern Art & Sharjah Art Foundation
date: 2018
printing: MM artbook printing & repro, the Netherlands
run: 800 copies
size: 168 x 220 mm portrait
extent: 120 pages + endpapers + covers
ISBN 978 1 909792 19 7
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covers:
4 page hardcover printed 2/0 black double strike + Eggen sealer onto 150grs Lessebo design white rough
endpapers:
2 x 4 pages printed 2/0 black double strike + Eggen sealer onto 150grs Lessebo design white rough
inside:
128 pages printed 5/5 cmyk + silver + sealer onto 150grs Luxo Art samt
16 x 8 page sections gathered to 8 x 16 page sections
client: Institute for Architecture and Planning, University of Liechtenstein, Vaduz
date: December 2010
printing: MM artbook printing & repro
binding: Binderij Van Waarden, the Netherlands (they are great!)
run: 500
size: 150 x 240 mm portrait (book block)
extent: 64pg. + endpapers + covers
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cover:
printed 4/0 + sealer varnish onto 130grs Munken Pure
endpapers 2 x 4 pages
front: 1/1 onto 115grs Gardapat Kiara
back: 4/1 onto 115grs Gardapat Kiara
inside:
56 pages divided into:
32 pages ( 2 x 16 pages ) onto 80grs Bioset
printed 1/1 black Novaspace 2010
24 pages ( 1 x 16 pages + 1 x 8 pages ) onto 130grs Bioset
printed 4/4 CMYK ( CMY Novaboard + K Novaspace 2010 )
finishing:
case bound, thread sewn, square spine, head and tailbands cover foil blocked with deep impression
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photographers:
Martijn Tjassens Keiser (cover), Vesna Lennart, Brendan Money, Cliodhna Rice, Goswin Schwendinger, Elizabeth Shotton, May D. Sørensen, Machiel Spaan
editors:
Brendan Money, Elizabeth Shotton
PARTICIPATING INSTITUTIONS:
Institute for Architecture and Planning,
University of Liechtenstein, Vaduz
School of Architecture, Landscape & Civil Engineering,
University College Dublin, Dublin
Academy of Architecture,
Amsterdam School of Arts, Amsterdam
Department of Architectural Design, History and Technology,
Norwegian University of Science and Technology, Trondheim
School of Architecture,
The Royal Academy of Fine Arts, Copenhagen
Faculty of Architecture,
University of Ljubljana, Ljubljana
ETS Arquitectura del Vallès,
Technical University of Catalunya, Catalunya
University of Liechtenstein
University College Dublin
client: Lismore Castle Arts
date: July 2007
printing: Drukkerij Rosbeek bv,
the Netherlands
binding: Callenbach, the Netherlands
run: 750 copies numbered
size: 165 x 210mm portrait
extent: 56pg. + endpapers + covers
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covers:
3/4 linen cover with 135grs JobArt gloss printed 4/0 and tipped in to back board
inside:
56 pages printed 4/4 onto 135grs Gardapat
endpapers:
printed 4/4 onto 130grs Munken Lynx
binding:
case bound in 3/4 linen cover with paper on the back board, 2mm board, square spine
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For Titled/Untitled I visited the castle and photographed the courtyards and buildings of the exhibition space, and these photos run throughout the book. I invited Ronan McCrea to make the installation photographs. This project also included the design of posters, flyers and invitations.
run: 500 copies
size: 294 x 230 mm landscape
dustjacket:
8 page dustjacket onto Lessebo Naturel 150 grs / 1.3
printed: 4/0 CMYK
869 x 235mm, with approx. 130mm flaps
cover:
4 page hardcover, cloth Iris
1 x gold foil block on front cover
endpapers:
2 x 4 pages onto Lessebo Naturel 150 grs / 1.3
printed: 1/1 gold (PMS 871) double hit + sealer
inside:
48 pages onto Tatami ivory 150grs
printed: 4/4 CMYK
client: Seamus Nolan/The Model, Sligo
date: 2012
printing: MM artbook printing & repro
binding: uncredited
run: 100 copies unnumbered
size: 110 x 178 mm portrait
extent: 48pg. + covers
ISBN 978 0 9567179 1 7
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covers:
green Baladek glued onto 400grs grey board for front and back cover and then glued on first and last page of bookblock
foil-blocked (best match to PMS 131)
binding:
thread sewn in sections, open spine, green thread (to match covers)
inside
48pg. printed 4/4 onto 130grs Munken Pure
client: Lismore Castle Arts
date: 2010/11
printing: MM artbook printing & repro
binding: unknown
run: 649 copies numbered
size: 165 x 210 mm (book block)
extent: 72pg. + endpapers + covers
ISBN 10 9 0551224 5 7
IBSN 13 978 0 9551224 5 3
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covers:
Iris linen: 817 graubraun
print: frontcover and spine printed in 1 colour foilblock
finishing:
thread sewn, case bound, square spine, head and tail bands, 2.5mm board
endpapers:
printed onto 130grs Munken Lynx
front: 1 side black, 1 side warm grey
back: 1 side black + warm grey
mechanically numbered on inside back endpaper
inside:
72 pages printed 2/2 black and warm grey duotone
(specified by MM)
onto Gardapat kiara 135grs, FSC, CU-COC-804101
dustjacket (limited edition):
flat size is : 651 mm x 434 mm, folded to 651 x 217 mm printed 1/1 Novaspace black onto 70grs Reviva
client: Irish Museum of Modern Art
date: 2010
printing: MM artbook printing & repro, the Netherlands
binding: uncredited
run: 1,000 copies
size: 240mm x 340mm portrait
extent: 320pg. + endpapers + covers
ISBN: 978-0-907020-08-7
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covers:
printed 1/1 onto 325grs one side white board
matt laminate and then gloss UV
inside:
320 pages printed 4/4 CMYK onto 135grs *Arctic the Volume
binding:
thread sewn in 16pg. sections
OTA bind
* this paper range has since been completely revised
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Awarded silver Bell in the 2011 Irish creative advertising and design (ICAD) awards, and featured in their annual publication.
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Morton Feldman is widely considered one of the most influential composers of the 20th century. Revolving around a project he curated in 1967 entitled Six Painters, this catalogue considers the impact that modern abstract art had on Feldman's own musical compositions, tracing direct links and hidden meanings. Featuring works from the original six painters - Philip Guston, Franz Kline, Piet Mondrian, Willem de Kooning, Jackson Pollock and Mark Rothko - this publication also includes works by many other artists whom Feldman admired.
The book includes a facsimile reproduction of the entire Six Painters catalogue.
Essayists and contributors: Dore Ashton, Juan Manuel Bonet, Enrique Juncosa, Bunita Marcus, Barbara Monk Feldman, Brian O'Doherty, Francesco Pellizzi, Kevin Volans, Francesco Pellizzi, Sebastian Claren.
Edited by Sean Kissane.
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Vertical thoughts was included in the Pallas Periodical Review at Pallas Projects, Dublin, December 2011.
I wrote some notes for the exhibition:
The Six painters reproduction idea came from Juan Manuel and Seán, although I was keen on it including endpapers etc. to be a facsimile reproduction. The quality of the scanning and reproduction here is pretty amazing. The original copy was unbound for scanning in single pages. Floating it in the black surround (it's reproduced s/s) was to make a complete interruption in the book, like an insertion, and to contribute to the lovely black stripes and their irregular rhythm on the cut edges of the book. (The cut edge also works as a fast-find index for some sections of the book!)
In fact black or grey borders were used for all the insertions in the book - eg. for all reprinted texts, so for example the Barbara Monk Feldman article, although reset and not in facsimile, approximates the page size of the original publication it appears in, and is set on a grey background.
Some elements were further 'folded-in' such as the same size reproduction of the "Arts consultants services" letterhead p. 63, or the typewriter typed text by Dory Ashton.
This was intended as a unifying device given the wide variety of sources and material to be reproduced, which included documents, scores, sketches, photographs of varying eras and quality, record covers, images of rugs, and of course paintings and sculptures. there are many authors and voices.
Strangely, the way I found to pull all this together was to have almost no consistency in the layout from one element to the next. Each text is set in a different combination of typefaces, none of which follow a consistent layout or grid, and each evoking different aspects of book/editorial design. The typography is willfully awkward, although far from unreadable. each editorial component was given its own identity in some small way.
The book format was simply the largest possible page size as we were reducing large paintings, as well as manuscripts which would be best enjoyed when reproduced close to their original size.
The paper is the same throughout, in part as a unifying device and also to have a slight suggestion of a directory or catalogue - and with a soft cover - so as not too precious. The binding is an OTA bind where the cover board of the spine is not attached to the book block. This ensures that the book opens quite flat, and the spine does to crease.
Each copy of this book weighs 1.8kg!
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100 Archive
client: artists' project supported by the Arts Council of Ireland
(published by Image text sound editions)
date: June 2008
printing: Impress Printing Works, Dublin
binding: uncredited
run: 500
size: 210 x 260 mm portrait
extent: 192pg. + covers
cat. no. ITS001
ISBN 978 0 9559421 0 5
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Underground was co-curated by Dennis McNulty & Peter Maybury. The exhibition was supported by the Arts Council of Ireland. An exhibition in the basement of Roads Records, an independent record shop in Dublin city centre. The show included work by Angela Detanico & Rafael Lain, Francis McKee, Garrett Phelan, Sarah Pierce, Stephen Rennicks, Adam Sutherland, Robin Watkins, Blogariddims, Economic Thought Projects, Experimental Jetset, Barry Lennon, The Stars are Underground, Rudy VanderLans. Four screenings in the basement of Filmbase in conjunction with Darklight - Shell Shock Rock, The Stars are Underground, Decade of Dance & Last Night of Phunk City. A 192 page publication featuring contributions from Martin McCabe, Ciaran Nugent, Stephen Rennicks, Loserdom, irishrock.org, Rudy VanderLans, Experimental Jetset, Dave Road, Paul Rowley, Dean No Age, the Metropolitan Complex and many more. A series of events in the exhibition space. A playback of Phantom Fountain/Future Stream by Robin Watkins, a live streamed band practice by Stoner Girlfriend and an online auction of Northern Soul records with live web-radio commentary by Adam Sutherland.
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cover:
digital printed on Indigo press onto unspecified 290grs matt coated board
inside:
2/2 (black and [yellow] PMS 012) in separate passes onto 135grs Pericord Contraste
thread sewn in sections with covers drawn on
client: The Douglas Hyde Gallery
date : November 2013
printing: MM artbook printing & repro
binding: uncredited
run: 500
size: 138.5 x 210 mm portrait
extent: 32pg. + covers
ISBN: 978 1 905397 43 3
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page size: 138.5 x 210 mm portrait
cover:
hard cover square spine and foil block
OCKERGELB 101/802
BLUE FOIL APPROX REFERENCE: PMS 312
inside:
32 pages printed 4/4 onto Lessebo design naturel 150 grs / 1.3
endpapers:
printed 4/4 onto Lessebo design naturel 150 grs / 1.3
binding:
thread sewn in 4 x 8 page sections
Wayfinding system for Tom dePaor’s purpose built cinema in Galway, Ireland.
An integrated scheme of hand-painted lettering; illuminated multi-layered illuminated glass panels in bespoke sapele frames; and neon signage. The legal requirement for ‘manifestations’ on glazed planes is handled as a sequence of scaled circles which echo the set of 22 windows devised by dePaor in conjunction with Pat Scott.
http://depaor.com/projects/picture-palace.php
