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Peter Maybury

  • About\
  • Screen/
  • Architectural photography/
  • Film/
  • Publications/
  • Sound/
  • Exhibition/
  • Writing/
  • Publications 1990s–/
  • Publications 2000s–/
  • Gall & Image Text Sound Editions/
  • ALSO editions/

The bread and butter stone


client: The Douglas Hyde Gallery
date: 1997
printing: Nicholson & Bass, Belfast
binding: uncredited
run: 1,500
size: 138.5 x 210 mm portrait
extent: 192pg. + covers

cover printed 1 colour 2 sides (not common).
Inside printed in 12 x 16pg. sections 1 colour throughout (1 section 2 colour) onto uncoated stock

ISBN 0907660584

________________________

The bread and butter stone was the first thematically lead publication we made with director John Hutchinson. It contains a number of fragmentary texts, followed by a sequence of images from each of the shows from the previous 5 year period. This is then followed by artist projects by a number of contributors including Christine and Irene Hohenbuchler, Annette Messager, and Richard Tuttle. Editor/text: John Hutchinson

This book is featured in:
Emigre 45
Emigre 70
Idea issue 314
All messed up: Unpredictable graphics
The typographic experiment
Make ready

 

CODE3

publisher: Temporary Release
date: 1995
printing: Impress printing works, Dublin
run: unknown
size: 254 x 254 mm (10" x 10")
extent: 40pg. self-cover magazine + custom-made sleeve

_____________________________

cover printed black + Pantone metallic, inside printed black on uncoated stock
sleeve printed Pantone metallic and matt sealer varnish


 

CODE4

publisher: Temporary Release
date: 1996
printing: Impress printing works, Dublin
run: unknown (3,000?)
size: 254 x 254 mm (10" x 10")
extent: 52pg. self-cover magazine + custom-made sleeve

_____________________________

covers printed black and Pantone metallic, inside printed PMS black onto Huntsman Ivory) sleeve printed Pantone metallic and matt sealer varnish

 

Cremaster: Matthew Barney

Outside Visual Art
curated by Aileen Corkery
publisher: Temple Bar Properties, Dublin
date: 2002
size: 150 x 180mm portrait
extent: 32pg. + covers
printing:
cover: printing 4/0 onto textured coated board c.200grs
inside: printed 4/4 onto 2-sided paper (gloss/uncoated, sequenced as gloss, uncoated, uncoated, gloss…)
binding: perfect bound
printer: Drukkerij Rosbeek, The Netherlands
typeface: Foundry Gridnik

Dublin French film festival (9th edition)

1997
210 x 297 mm portrait
80pg. + soft covers
covers printed CMYK;
inside black with eight pages CMYK

Dublin French film festival (10th edition)

1998
203 x 254 mm (10" x 8")
portrait
48pg. + soft covers
covers printed in one Pantone
ink; inside printed in four
12pg. sections each printed in
a unique Pantone colour
cover image Isabelle Huppert
(Rien ne va plus)
 

The Douglas Hyde Gallery programme

ECHO, Alison Wilding
27 April – 31 May 1996
leaflet printed in black ink onto 60grs Bank

Crios, Christine and Irene
Hohenbüchler with Project
Interact
, 15 March – 20 April 1996,
leaflet printed in black ink onto Cyclus offset;
invitation one Pantone colour onto Simulator transparent

Fragments sur les Institutions
Républicaines IV,
Shane Cullen
, 9 August – 21 September 1996,
leaflet printed one Pantone colour onto newsprint;
invitation printed on strawboard.

Residue (Fionnuala Ní Chiosáin, Dorothy Cross, Mark Francis, Siobhán Hapaska, Nicholas May, Stephen McKenna, Willie
McKeown, Kathy Prendergast, Paul Seawright, Seán Shanahan),
22 August – 27 September 1997,
leaflet printed black and Pantone ‘gold’ onto 70grs offset;
invitation printed onto 290μ ‘one-sided’ cover board.

Below, photos of exhibition leaflets for John Murphy, Lili Dujourie, Louise Bourgeois, Outside (curated by Annie Fletcher), Scream and Scream again, Film in Art, Richard Tuttle, Residue, Paul Mosse, Joseph Grigely, Shane Cullen, Alison Wilding, Christine & Irene Hohenbüchler, Pieter Laurens Mol, Keith Edmier, Annelies Strba, Felix Gonzales-Torres. All curated by John Hutchinson unless otherwise stated.

Enhance 57:19

A temporary release

Fishtank: Richard Billingham

Outside Visual Art
publisher: Temple Bar Properties, Dublin
curated by Aileen Corkery
date: 2002
extent: 16pg. + covers
size: 150 x 180mm portrait
cover printing 4/0 onto uncoated off-white board c.250grs Freelife Cento
inside printed 4/4 onto c.130grs Freelife Cento
binding: saddle stitched
printer: Drukkerij Rosbeek, The Netherlands
typeface: Foundry Gridnik

Fragments sur les Institutions Républicaines IV: Shane Cullen

client: The Douglas Hyde Gallery
date: 1996
extent: 8 page book + 6 page gatefold cover and postcard
run: 500 copies
size: ________
cover: printing 1/1 (PMS) onto 6 sheet pulp board (c.290 grs)
bookblock: printing 1/1 black onto 60grs bank
postcard: 148.5 x 210mm printing 1/0 (K) onto 1 -sided cover board (c.290grs)
finishing: bookblock saddle stitched, inserted with postcard into folder cover. packaged in strip-seal plastic bag.
printing: Impress Printing Works, Dublin

The artwork for the folder cover was a digital composite of photos (by Declan Barnes) of the panels, and a hand-made cut-up/assemblage of layered lithographic film.

Hungry ghosts

client: The Douglas Hyde Gallery
date: 1998
printing: Total Print, Dublin
binding: uncredited
run: 500
size: X x X mm portrait
extent: 32pg. + covers + dustjacket

______________________________

dustjacket:
printed 1/0 PMS (on the reverse)

cover:
printed 1/0 PMS onto uncoated board

inside:
printed 1/1  (PMS) + 4/4 onto coated stock

______________________________

back cover photograph: Marie-Pierre Richard

 

Tourist hotel: Mike Nelson

date: 1999
publisher: The Douglas Hyde Gallery, Dublin
size: 160 x 210mm portrait
extent: 12pg. self-cover
printing: 4/4 throughout onto Provolumen
binding: cahier bound
printer: Calff & Meischke, Amsterdam

Shades of time: Annelies Štrba

client: The Douglas Hyde Gallery
date: 1999
printing: Calff & Meischke, Amsterdam
binding: uncredited
run: 500
size: 160 x 210 mm portrait
extent: 8pg. self-cover

printed 4/4 throughout onto Provolumen. Singer-sewn in the spine

________________________

Singer: Michael Minnis

date: 1999
publisher: Orchard Gallery, Derry
extent: 32pg. + 8pg. cover
run: 500 copies
inside: printed 4/4 onto coated stock
cover: printed 1 (PMS)/4 onto strawboard
printer: (via) Manley Communications

Tribune interactive

client: Sunday Tribune
date: 1996
printing: in-house
run: 10,000
size: 270 x 343 mm portrait
extent: 24pg. self-cover

_________________________
supplement to Sunday Tribune newspaper, 
Sunday 8 December 1996
printed in 4/4 web offset
edited by Paul McCarroll.
design and photography: Peter Maybury
with thanks to Neil McIvor!.

UTOPIAS

publisher: The Douglas Hyde Gallery, Dublin
date: 1999
ISBN: 0-907660-67-3

extent: 48pg. self-cover, printed in black + five Pantone inks onto Coated Stock
printer: Total Print and Design, Dublin

Group exhibition curated by John Hutchinson.
Contributing artists: Enda Bowe, Gerard Byrne, Blaise Drummond, Brendan Grant, Katie Holten, Paddy Jolley, Alan Lambert, Clare Langan, Peter Maybury, Ronan McCrea, Maurice O’Connell, Marie-Pierre Richard, Eva Rothschild, Orla Ryan, Andrew Vickery, Walker & Walker, Grace Weir

Features in Make Ready (2015:2)

Wilde

Logo and signage for a bar in Brussels in the 90s some time. Commissioned by Patsy McCaughey. Can’t remember anything else about it.

The bread and butter stone

— view —

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CODE3

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CODE4

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Cremaster: Matthew Barney

— view —

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Dublin French film festival (9th edition)

— view —

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Dublin French film festival (10th edition)

— view —

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The Douglas Hyde Gallery programme

— view —

alison wilding thumbnail.jpg

Enhance 57:19

— view —

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Fishtank: Richard Billingham

— view —

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Fragments sur les Institutions Républicaines IV: Shane Cullen

— view —

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Hungry ghosts

— view —

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Tourist hotel: Mike Nelson

— view —

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Shades of time: Annelies Štrba

— view —

DSC02277gs.jpg

Singer: Michael Minnis

— view —

DSC02119gs.jpg

Tribune interactive

— view —

IMG_5546-tribune-gs.jpg

UTOPIAS

— view —

DSC02329gs.jpg

Wilde

— view —

wilde_facade01gs.jpg